1983 Malayalam Movie

1983 Latest Malayalam Movie

Drishyam - The Trendsetter

Mohanlal Jeethu Joseph Drishyam

Mohanlal-Siddhiq Ladies And Gentleman

A story that crawls towards a very much expected ending, through very much expected twists and turns. That's what the movie is about. Yes, it's occasionally brilliant.

Kareena s item dance takes Jawaani to new heights

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Surya and his heroines in Singapore

Maatran is a film which has the combination of Surya and director K V Anand.

Sunday, 4 August 2013

Sunny Leone's New Bold Scene

Sunny Leone has done another bold scene in a mainstream cinema. The porn-star turned actress was earlier seen in a daring bare role in the Bollywood film Jism 2. This time, it is in the upcoming movie called Jackpot with Sachin Joshi. At the moment, the crew of Jackpot is in Goa shooting the film. Actor Sachin guarantees that the bold scene has been well-shot. "We shot for a bold sequence, and now I would like to leave it to the audience. I am not allowed to talk much about that scene. I can assure you it is shot aesthetically and it doesn't look vulgar," said Sachin. unny Leone announced that her husband Daniel Weber too will be part of the movie. Weber is all set to play a cameo in Jackpot and the actress is very excited about this. "I am excited that my husband is around and I am very excited about helping him with his looks. I have been helping him out with what he should wear and how he should look," said Sunny on the sets of the movie. The movie is directed by Kaizad Gustad. It is a comeback for the director who stayed away from B-Town since his last movie called Boom. Gustad talks about Sunny's character in the movie and says, "Sunny will be seen in a very edgy and sharp character. She is playing a sophisticated woman. Yes, there is a bold scene in the film between Sunny and Sachin."




Sunny Leone Stealing The Show From Besharam Ranbir?

Indo-Canadian porn star Sunny Leone is said to be stealing all the show from B-Town's talented actor Ranbir Kapoor. And here's how this is happening! Ranbir's upcoming movie Besharam has been receiving a lot of attention ever since it was conceptualised. Reportedly, Besharam's trailer that got released a few days back is getting hampered due to another site. Mid Day claims that people who are logging in to watch the movie Besharam's trailer on internet, are reportedly getting directed to another website that shows Sunny Leone in sexy, revealing clothes. A source informed the daily that "People are looking forward to watching the trailer as it features Ranbir. But the other website seems to be hijacking all the attention that's coming their way". On the other hand, when Sunny Leone was enquired about the same, the gorgeous actress said that she does not own the website. She further stated that it "was a company in America and I shot for it in the past. I don't know much about the site and its promotions, as we are in no way involved in it".




Veena Malik or Vidya Balan: Who is dirtier?

Vidya Balan stormed into our collective (naughty) consciousness the moment she dropped her pallu in The Dirty Picture’s colourful song Oohh la la. Balan’s jiggling tummy, her generous bosom and well-rounded rear became the topic of spicy conversation. And then the babe bowled us over with her powerful and bold performance as an actor. The controversial Milan Luthria movie was loosely based on the late South sex siren Silk Smitha, and it gave a much needed push to Vidya’s acting career. And now Veena Malik, the ever-so-controversial Pakistani import, is following in the footsteps of Vidya. Veena’s new Telugu movie Silk -Sakkath Hot Maga will revisit ‘The Dirty Picture’ with a special tadka added in. The movie directed by Trishul also features South actor Akshay in a key role. So here are pictures of Veena’s hot endeavour – the babe looks more than happy to frolic on a beach in a skimpy bikini. From wild grasslands to a sunny beach and then to a glitzy studio, Veena takes the action to exotic locales, but one thing remains consistent throughout the gallery: the minimalistic clothes and the same seductive expression that Veena can slip on without effort. She’s also seen steaming it up with Akshay in various locales and shows us what she is exceptionally good at. While Veena flaunts her curves in itsy-bitsy clothes, Akshay is seen seducing the babe sans six pack abs or any doley sholey. Clearly Veena aspires to give a tough fight to Ms Balan’s National Award-winning performance! While Vidya conveyed a gamut of emotions in The Dirty Picture to show off the various facets of Silk Smith, Veena seems to be interested only in the game of seduction and to indulge in skin show. There’s no doubt that Veena will beat Balan in only one department…use your imaginations for that one! But one thing we all know, Ms Malik will obviously be dirtier than Balan, without any vestige of the aesthetics Vidya embodied!




Isha Talwar : Glamour has nothing to do with clothes

Actress Isha Talwar, known for her versatility in Malayalam, Tamil and Telugu films, believes glamour is defined by one's personality and not necessarily by the clothes one wears. She says someone can appear glamorous even when covered from head to toe. "I believe glamour is all about one's personality. One can be glamorous even when covered from top to bottom and not appear glamorous even in short clothes. It's like beauty and each one of us perceives it differently," Isha told IANS in an interview. "Sometimes even when you're covered from head to toe, one can present oneself with sensual undertones to appear glamorous. Even body language makes up for being glamorous in some cases," she added. Isha, who made her cinematic debut in a deglamorised role in Malayalam romantic-drama "Thattathin Marayathu", which was a box-office winner, says an actress need not always trade sensuality to be successful in the industry. "It's a preconceived notion that one has to be sensual to succeed in the industry. I played a Muslim girl covered from head to toe in my debut film. It was a role sans glamour, but the film was successful. Some films demand one to be glamorous and some may not," she said. She, of course, confesses that "since cinema is a visual medium, it is required of an actress to explore her sensual side as well and therefore sensuality doesn't rule out the option of garnering attention and a little bit of success". Born and raised in Mumbai and a graduate in Economics from St. Xavier's College, Isha is the daughter of Bollywood filmmaker Vinod Talwar. She is trained in different dance forms such as salsa and ballet, and she featured in several commercials before making it to the film world. In filmdom, Isha believes it's important not to get typecast. "It's very important to do a variety of roles. Had I played another deglamorised role after my debut film, I would have been typecast as someone fit only for such roles. That's why I followed it up with glamorous roles in different genres of films," Isha said. Since her debut, the young actress has starred in back-to-back successful films such as "I Love Me" (Malayalam), "Gunde Jaari Gallanthayyinde" (Telugu) and "Thillu Mullu 2" (Tamil). Isha, however, doesn't like to be called a successful actress yet. "I'm a beginner. I have a long way to go to be called successful. People are referring to me as lucky charm and I'm quite happy about it. I think I have to do a whole lot of films before I can claim to be a successful actress in the industry," she said. Does this mean she believes in quantity over quality? "Not number of films necessarily...because sometimes even a few films with star actors can make someone successful. It depends on which film and the role one gets to essay in it. I think I have done only a few films to demonstrate my skill," she added, giving credit to her critics. "I treat critics and audiences on par, but eventually it's the audiences who make or break an actor. Audiences pay money to watch our films and therefore they ought to be respected." "The feedback from critics is very important. It helps a beginner like me to head in the right direction and make smart career decisions," she added.




Yeh Jawaani Hai Deewani Bollywood Movie

The biggest take away from this slice of life flick is the pairing of ex-lovers Ranbir Kapoor and Deepika Padukone and whatever/however the film may be there sure is ample buzz around it to assure a box-office hit! But filmmaker Ayan Mukerji doesn't consider it as a trump card and instead treats them as two individual actors with tremendous chemistry while attempting yet again to strike a chord with the youth of the nation. Does it work the second time over? We tell you. Three best-friends, the feisty Aditi (Kalki Koechlin), laidback Avi (Aditya Roy Kapur) and the full of life Kabir aka Bunny (Ranbir Kapoor) embark on a long trek to the snow-clad peaks of Manali. A starkly contrasting personality Naina (Deepika Padukone) joins the group and despite the dissimilarities becomes their buddy. Admist carefree laughter, passion for life and frolicking Naina falls in love with Bunny but the free-spirited latter yearns only to live his dream, that's to travel each and every part of the world. The trip ends, people part ways but eight years Naina and Bunny meet again. Does love give them a second chance? Watch the film to find out. Leave aside the biggest casting coup of the year, if not for anything else, filmmaker Ayan Mukerji surely deserves to get the credit for actually bringing to celluloid the true essence of friendship. The way the filmmaker handles emotions both of love and friendship is praiseworthy! There are certain scenes that deserve applauses for example, the way both Bunny and Avi meet after eight years, the dilemma of youth, passion for life and also love. But that's all to Yeh Jawaani Hai Deewani. Sadly, Ayan gives quite a few negatives in his second film; the biggest being that of commercialising his storyline. YJHD is laden with cliches of Bollywood and try how hard you can't help but be disappointed by the predictable path is takes. The whole simple girl falling for a commitment-phobic guy is very common in every other romantic film. Also the length of the film makes matters worse, while the first half is breezy the second of the 161 minutes long film turns out to be a big drag and eventually ends quite predictably too. Despite its tripe plot, Yeh Jawaani Hai Deewani keeps you engaged majorly because of the performances of each and every actor and also the screenplay of Ayan Mukerji. There isn't an iota of doubt in the fact that both Ranbir and Deepika make an exception pair onscreen. Their chemistry is absolutely delightful and keeps you glued. Kalki as Aditi is surprisingly brilliant especially in a fight sequence. Aditya Roy Kapur is a let down however, as he appears straight out of Aashiqui 2 sets with not just the look even the character being just the same. The cameos of both Kunal Roy Kapur and Rana Daggubatti are complete waste. Farouque Shaikh and Tanvi Azmi play their parts well. It is a sheer pleasure to watch Madhuri Dixit groove once again on the big screen and her number Ghagra gives one of the enjoyable moments.




Bhaag Milkha Bhaag Bollywood Movie

Sports films always rake in the moolah and build an instant connect with the masses. Take Chak De India for sample or even the exemplary Paan Singh Tomar. It's the perseverance of the lead protagonists, their strife for excellence and their indefatigable spirit that strikes a chord with people making the stories cult. However, the fact that you are making a biopic doesn't just work. It should be crisp, should be told with exact conviction with which the life of the protagonist was lived and only then it becomes a good film. Milkha Singh aka the Flying Sikh's biopic Bhaag Milkha Bhaag tries to achieve that excellence. Does it succeed? We tell you.It all starts from Milkha Singh losing the only race in his entire life, that in Rome, Olympics in 1960. We are then taken to the time when Milkha Singh has already attained the success that he set out to achieve. But he refuses to run if sent to Pakistan, the country he detests. Three people, two of Singh's coaches and a messenger of Pandit Jawaharwal Nehru are sent to convince Singh to take part. The story then moves into series of intercutting of past and present where the coaches narrate the reason why Milkha is against running in Pakistan. We all know that Rakeysh Omprakash Mehra's (ROM) most ambitious venture BMB took almost two years for completion. We also know that Farhan Akhtar literally put his heart and soul in this project. But sadly, the film falls short in impressing even half as much as the efforts the latter has put. It's clearly ROM's flawed and extremely stretched story-telling that kills any thrill there ever could be in Milkha Singh's real life story. Moreover, the over-dramatization of episodes from Singh's life which actually don't contribute to the story at all makes matters worse. There are way too many episodes converted into numerous sub-plots narrated through a non-linear narrative pattern which actually don't just hog up the run time but also lead to a tiring film. Clocking three hours and eight minutes, BMB also gives you glimpses of Gadar, Jo Jeeta Wohi Sikandar and Paan Singh Tomar, more like the latter for both the stories revolved around runners. So you have Milkha Singh taking part in athletics for Milk and Eggs and later finding it tough to adjust to shoes for he always ran bare feet clearly reminding you of Irrfan Khan of Paan Singh Tomar. To add to the agony are the songs used aplenty, much worse, some in slow motion which clearly are forced into the film without any relevance. The songs are jarring and definitely don't add value to the movie. Renowned cinematographer Binod Pradhan does a splendid job with the camera capturing certain sequences brilliantly however, it's ROM's drawback again for using those scenes in a gimmicky fashion. Bhaag Milkha Bhaag works only and only for Farhan Akhtar. The actor has raised the bar of acting to a whole new level and deserves to be lauded. Right from getting his physicality right to his diction, body language everything is remarkable.




B.A Pass Latest Bollywood Movie

Based on a short story Railway Aunty by Mohan Sikka, B.A. Pass revolves around Mukesh's (Shadab kamal) life which goes through a series of murky ups and downs till it comes crashing down. Having lost his parents Mukesh is left at his uncle's mercy. He receives hostility from his uncle's family for whom he is an added liability. In such conditions he comes across Sarika (Shilpa Shukla) who seduces him at first, teaches him the art of giving carnal pleasure and then supplies him to many urbane unsatisfied women who require such carnal escapades. However, her secretive plans come to a grinding halt when both Mukesh and she get caught by her husband Ashok (Rajesh Sharma) who uses his repute and might to foil their business. How Mukesh's dire needs for money to support his two sisters make him take extreme step is what follows through the rest of the plot. Filmmaker Ajay Bahl relies heavily on shock value and hence right from the startling seduction sequences of Sarika to the gigolo angle, all of it demands your undivided attention. The film takes off brilliantly, the premise is quickly set and within no time this short 101 minute film gets into the crux of the story. However, in a bid to put across his story, Bahl somehow just brushes upon many issues, for example, the hollow lives of urbane housewives. Morevoer, while the first half comes across as completely gritty, the second takes turn and gets into the filmy zone with the predictable twist of Mukesh's chess playing friend Johny. The film excels for some of the stupendous performances. Specially from the lead protagonists, Shilpa Shukla and Shadab Kamal. Shukla who had proved her mettle in her debut film Chak De! India itself outshines all her previous performances by executing some of the most explicit scenes that this film required with utmost easy and confidence.